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How can conflict over the looming royal succession be so crucial for understanding 21st century Thailand — as Paul Handley and Thongchai Winichakul, among others, have correctly argued — if everybody agrees that Crown Prince Vajiralongkorn will almost inevitably become King Rama X?
Most journalism and academic research on Thailand struggles to answer these questions.
The madness is not confined to the ultra-royalist side.
Some hardcore Red Shirt commentators — most notably the ludicrous “Banpodj” — have recently been peddling a theory that claims (as far as I can make out) that King Bhumibol and Queen Sirikit are already dead, and that Princess Sirindhorn has become an evil behind-the-scenes mastermind, employing a variety of special effects to give the impression her parents are still alive so that she can keep Crown Prince Vajiralongkorn off the throne.
After the death of Tiren's father, the king of the southern nation makes a bid for power by seizing control of the North, but he has chosen as his consort Srisudachan (Siriwimol Charoenpura), a woman with nefarious alliances, and soon the king and his queen are battling for control of Ayuthaya.
As chaos reigns at home, the ruler of neighboring Burma, King Tabinshweti (Suphakit Tangthatswasd), sees this as a perfect opportunity to conquer Ayuthaya, and he soon leads his armies in a bloody invasion.
A crucial moment in the history of Thailand comes to life in this epic-scale historical drama, written and directed by Chatrichalem Yukol, a member of the Thai royal family.The themes discussed will be analysed in more detail, and in broader historical context, in my upcoming book . Once upon a time, Thailand’s royal family seemed happy.Glorified by the military dictators who ruled the country from the late 1950s until 1973, boosted by an American-funded propaganda campaign as anti-communist figureheads, and fêted abroad as a fairytale royal couple, Bhumibol and Sirikit were widely revered in Thailand.This platform does NOT host any content itself, we are a GATE between the censored users and the original websites we proxy.[on the vanishing distinction between TV, cinema and new media] Cinema is cinema.